Argonauts of the Western Pacific - Bronisław Malinowski (darmowa biblioteka online .TXT) 📖
Argonauts of the Western Pacific to rozprawa naukowa autorstwa Bronisława Malinowskiego. Jest ona efektem wyprawy badacza na wyspy Toulon i wyspy Trobriandzkie.
Malinowski opisuje w niej przede wszystkim rytuał Kula, ukazujący zdolności handlowe ludów tam żyjących. Rytuał polega na wymianie biżuterii, opierającej się na pewnych szytwno ustalonych regułach związanych m.in. z równą wartością wymienianych przedmiotów. Malinowski upatruje w przedstawicielach społeczeństw pierwotnych wcielenia Argonautów z mitologii greckiej, którzy udali się po Złote Runo. Rozprawa Malinowskiego została oparta na wynikach jego metody badań antropologicznych — metody uczestniczącej, a nie wyłącznie obserwacyjnej. Jego działalność była przełomowa dla antropologii, która do tej pory bazowała na prowadzeniu obserwacji, a także rozszerzaniu założeń na kolejne wyniki badań.
Bronisław Malinowski był polskim antropologiem i socjologiem publikującym w pierwszej połowie XIX wieku. Prowadził badania społeczeństw pierwotnych w różnych zakątkach świata.
- Autor: Bronisław Malinowski
- Epoka: Współczesność
- Rodzaj: Epika
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The taboos and observances are not the only conditions which a man must fulfil in order to carry out certain forms of magic. In many cases the most important condition is his membership in a social group, for many forms of magic are strictly local, and must be performed by one, who is the descendant of the mythical, original owner of the magic. Thus in every case of garden magic, a magic which to the natives ranks first among all the other types of beneficent magic, the performer must be genealogically related to the first ancestor, who locally emerged from the hole. Certain exceptions to this rule are to be found only in cases where a family of high rank has come and usurped the headmanship of the group, but these exceptions are rare. In the case of the several systems of local fishing magic, the office of magician is hereditary, and associated with the locality. The important rain and sun magic which have been „born” in Kasana’i, can only be performed by the chiefs of that spot, who have ursurped this important privilege from the original local headman. The succession is, of course, always matrilineal. A man may make a gift of such a magic to his son, but this latter may be obliged to relinquish the privilege at his father’s death, and he never will be allowed to hand it over to his son, unless this latter belongs again to the local group, through cross-cousin marriage. Even in transactions where magic is sold or given away from one clan to another, the prestige of certain local groups as main specialists and experts in a branch of magic still remain. For instance, the black magic, though practised all over the place and no more localised, is still believed to be best known in the villages of Ba’u and Bwoytalu, where the original crab fell down from the skies, and brought with him the magic. The Kula magic is also spread over the whole district, yet it is still associated with definite localities.
To summarise these sociological observations, we may say that, where the local character of magic is still maintained, the magician has to belong to the dala (sub-clan or local group) of the mythical ancestor. In all other cases, the local character of magic is still recognised, even though it does not influence the sociology of the magician.
The traditional character of magic and the magical filiation of the performer find their expression in another important feature of the spells. In some of them, as we have seen, references to mythical events are made, or names of mythical ancestors are uttered. Even more often, we find a whole list of names, beginning with the mythical founder of the magic, and ending with the name of the immediate predecessor, that is, of the man from whom the magic was obtained by the actual performer. Such a list links up the present magician by a sort of magical pedigree with all those, who had previously been using this formula. In other formulae again, the magician identifies himself with some mythical individual, and utters the latter’s name in the first person. Thus, in the spell uttered whilst plucking the mint plant, we found the phrase: „I, Kwoyregu, with my father, we cut the sulumwoya of Laba’i”. Both the actual genealogical descent of the magician from the mythical ancestors, and the magical filiation expressed in the formulae show again the paramount importance of tradition, in this case acting on the sociological determination of the performer. He is placed in a definite social group of those, who by birth, or what could be called „magical adoption”, have had the right of performing this magic. In the very act of uttering the spell, the magician bears testimony to his indebtedness to the past by the enumeration of magical names, and by references to myth and mythical events. Both the sociological restrictions, wherever they still exist, and the magical filiation confirm once more the dependence of magic on tradition. On the other hand, both show, as also do the taboos, that the obligations imposed on the magician and the conditions he has to fulfil, are largely derived from the spell.
VIIClosely connected with the questions discussed in the preceding division, is the subject of the systems of magic and the distinction between „systematic” and „independent” magical rites and formulae. As we saw in the beginning of this chapter, the whole body of magic naturally falls into several big divisions, each of them corresponding to a department of nature, such as wind or weather; to some activity of man, such as gardening, fishing, hunting or warfare; or to some real or imaginary force, such as artistic inspiration, witchcraft, personal charm or prowess.
There is, however, an important distinction to be made within each such division of magic; some of the rites and spells are isolated and independent, they can be used by themselves, whenever the need arises. Such are almost all the incantations of wind magic; some spells of individual garden magic; formulae against toothache, and minor ailments; some spells of hunting and food collecting; a few rites of love magic and of the magic of carving. When a man, for instance, paddles along the Lagoon in his canoe and an unfavourable wind sets in, he will utter a spell to make it abate and change. The same spell would be recited in the village, when there arises a wind so strong as to be dangerous. The incantation is a free, individual act, which may be performed and is performed in any of the circumstances which require it.
It is quite another matter with the spells belonging to what I have called here systematic magic. Such magic consists of a connected and consecutive body of incantations and concomitant rites, no one of which can be torn out of its sequence and performed by itself. They have to be carried out one after the other in a determined order, and the more important of them, at least, can never be omitted, once the series has been started. Such a series is always closely connected with some activity, such as the building of a canoe or an overseas Kula voyage, a fishing expedition or the making and harvesting of a garden. It will not be difficult for us to realise the nature of systematic magic, for in this book almost all the rites and spells described belong to this class. In general, in the Trobriands, the independent uncorollated rites and formulae are quite an insignificant minority, both in number and in importance.
Let us consider one of the forms of systematic magic previously described, whether canoe magic or that of the Kula, whether the kayga’u formulae, or the magical ritual of kaloma fishing. The first general fact to be noted here is, that we are in the presence of a type of enterprise or activity, which is never embarked upon without magic. No canoe will be built, no uvalaku started, no kaloma fished, without its magic ceremonial. This ceremonial will be scrupulously observed in its main features, that is, some of the most important formulae will never be omitted, as some minor ones might be, a fact which has been previously noted. The association between the practical activity and its magical concomitant is very intimate. The stages and acts of the first, and the rites and spells of the latter, correspond to each other one by one. Certain rites have to be done in order to inaugurate certain activities; others have to be performed at the end of the practical work; others again are part and parcel of the activity. But each of the rites and spells is to the native mind, quite as indispensable for the success of the enterprise, as is the practical activity. Thus, the tokway has to be expelled, or the tree would be entirely unsuitable for a canoe; the adze, the lashing creeper, the caulking and the paint have to be charmed, or else the canoe would be heavy and unwieldy, and such an omission might even prove dangerous to life. Going mentally over the various cases quoted in the previous chapters, it can be easily seen, how this intimate association between enterprise and magic imparts to systematic magic its specific character. The consecutive progress of work and of magic are inseparable, just because, according to native ideas, work needs magic, and magic has only meaning as an indispensable ingredient of work.
Both work and magic are directed towards the same aim; to construct a swift and a stable canoe; to obtain a good Kula yield; to insure safety from drowning and so on. Thus we see that systematic magic consists in a body of rites and spells associated with one enterprise, directed towards one aim, and progressing in a consecutive series of performances which have to be carried out in their proper place. The point — the proper understanding of what is meant by systematic magic — is of the greatest theoretical importance because it reveals the nature of the relation between magical and practical activities, and shows how deeply the two are connected with one another. It is one of these points, also, which cannot be properly explained and grasped without the help of a Chart. In the appended „Table of Kula Magic and of the Corresponding Activities” I have prepared such a Chart, in which has been summarised the substance of several of the foregoing Chapters. The Table allows of a rapid survey of the consecutive activities of the Kula in their relation to magic, beginning with the first act of canoe-building and finishing with the return home. It shows the salient features of systematic magic in general, and of the mwasila and canoe magic in particular. It shows the relation between magical, ritual and practical activities, the correlated sequence of the two, their rolling off, stage after stage, and side by side, towards one central aim — a successful Kula. The Table thus serves to illustrate the meaning of the expression „systematic magic” and it provides a firm outline of the essentials, magical, ceremonial and practical, of the Kula.
Table of Kula magic and of the corresponding activitiesI — First Stage of Canoe-Building (Chapter V, Division II)
Season and approximate duration: Beginning June–August.
Place: Raybwag.
Activity: Felling of tree (done by the builder and helpers).
Magic: inaugurated by the Vabusi Tokway (offering and spell) aiming at tbe expulsion of the wood sprite from the tree (performed by owner or builder).
Season and approximate duration: Immediately afterwards.
Place: Same place.
Activity: Trimming of the log-canoe (done by builder with helpers).
Magic: No magic.
Season and approximate duration: A few days later.
Place: Road.
Activity: Pulling the log (done by all villagers).
Magic: helped out by double rite of lightness (Kaymomwa’u and Kaygagabile).
Season and approximate duration: On morning after arrival at village.
Place: Main place in the village.
Activity: The log is left as it is;
Magic: until the magical act (Kapitunena Duku) ceremonially inaugurating the work over the canoe.
Season and approximate duration: Evening of the same day.
Place: Main place in the village.
Activity: Working out of the out-side of the log.
Magic: No magic accompanying it.
Season and approximate duration: Several days or weeks following.
Place: Main place.
Activity: Scooping out of the inside of the canoe.
Magic: inaugurated by Ligogu spell, over the kavilali, the adze with the movable handle.
Season and approximate duration: Towards the end of the foregoing period.
Place: In the village before builder’s house.
Activity: Other parts of canoe made ready by builder and helpers.
Magic: No magic.
Season and approximate duration: after all work is over.
Magic: Concluding rite Kapitunena Nanola Waga.
All the magic of this stage
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