Argonauts of the Western Pacific - Bronisław Malinowski (darmowa biblioteka online .TXT) 📖
Argonauts of the Western Pacific to rozprawa naukowa autorstwa Bronisława Malinowskiego. Jest ona efektem wyprawy badacza na wyspy Toulon i wyspy Trobriandzkie.
Malinowski opisuje w niej przede wszystkim rytuał Kula, ukazujący zdolności handlowe ludów tam żyjących. Rytuał polega na wymianie biżuterii, opierającej się na pewnych szytwno ustalonych regułach związanych m.in. z równą wartością wymienianych przedmiotów. Malinowski upatruje w przedstawicielach społeczeństw pierwotnych wcielenia Argonautów z mitologii greckiej, którzy udali się po Złote Runo. Rozprawa Malinowskiego została oparta na wynikach jego metody badań antropologicznych — metody uczestniczącej, a nie wyłącznie obserwacyjnej. Jego działalność była przełomowa dla antropologii, która do tej pory bazowała na prowadzeniu obserwacji, a także rozszerzaniu założeń na kolejne wyniki badań.
Bronisław Malinowski był polskim antropologiem i socjologiem publikującym w pierwszej połowie XIX wieku. Prowadził badania społeczeństw pierwotnych w różnych zakątkach świata.
- Autor: Bronisław Malinowski
- Epoka: Współczesność
- Rodzaj: Epika
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Walking towards the North, over the black soil here and there pierced by coral, among tall trees and bits of jungle, fields and gardens, we come to Kanubayne, the village of Kouta’uya, the second most important chief in Sinaketa. Very likely we shall see him sitting on the platform of his hut or yam-house, a shrivelled up, toothless old man, wearing a big native wig. He, as well as To’udawada, belongs to the highest ranks of chieftainship, and they both consider themselves the equals of the chiefs of Kiriwina. But the power of each one is limited to his small, component village, and neither in ceremonial nor in wealth did they, at least in olden days, approach their kinsmen in the North. There is still another chief of the same rank in Sinaketa, who governs the small village of Oraywota. This is Sinakadi, a puffed up, unhealthy looking, bald and toothless old man, and a really contemptible and crooked character, despised by black and white alike. He has a well-established reputation of boarding white men’s boats as soon as they arrive, with one or two of his young wives in the canoe, and of returning soon after, alone, but with plenty of tobacco and good merchandise. Lax as is the Trobriander’s sense of honour and morality in such matters, this is too much even for them, and Sinakadi is accordingly not respected in his village.
The rest of the villages are ruled by headmen of inferior rank, but of not much less importance and power than the main chiefs. One of them, a queer old man, spare and lame but with an extremely dignified and deliberate manner, called Layseta, is renowned for his extensive knowledge of all sorts of magic, and for his long sojourns in foreign countries, such as the Amphletts and Dobu. We shall meet some of these chiefs later on in our wanderings. Having described the villages and headmen of Sinaketa let us return to our narrative.
A few days before the appointed date of the departure of the Kula expedition there is a great stir in the villages. Visiting parties arrive from the neighbourhood, bringing gifts mostly of food, to serve as provisions for the journey. They sit in front of the huts, talking and commenting, while the local people go about their business. In the evenings, long conferences are held over the fires, and late hours are kept. The preparation of food is mainly woman’s work, whereas the men put the finishing touches to the canoes, and perform their magic.
Sociologically the group of the departing differentiates itself of course from those who remain. But even within that group a further differentiation takes place, brought about by their respective functions in the Kula. First of all there are the masters of the canoe, the toliwaga, who will play quite a definite part for the next few weeks. On each of them fall with greater stringency the taboos, whether those that have to be kept in Sinaketa or in Dobu. Each has to perform the magic and act in ceremonies. Each will also enjoy the main honours and privileges of the Kula. The members of the crew, the usagelu, some four to six men in each canoe, form another group. They sail the craft, perform certain magical rites, and as a rule do the Kula each on his own account. A couple of younger men in each canoe, who do not yet kula, but who help in the work of sailing, form another class, and are called silasila. Here and there a small boy will go with his father on a Kula expedition — such are called dodo’u — and makes himself useful by blowing the conch shell. Thus the whole fleet consists of four classes, that of the toliwaga, the usagelu, the helpers and the children. From Sinaketa, women, whether married or unmarried, never go on overseas expeditions, though a different custom prevails in the eastern part of the Trobriands. Each toliwaga has to give a payment in food to his usagelu, and this is done in the form of a small ceremony of distribution of food called mwalolo, and held after the return from the expedition, in the central place of the village.
A few days before the sailing, the toliwaga starts his series of magical rites and begins to keep his taboos, the women busy themselves with the final preparation of the food, and the men trim the waga (canoe) for the imminent, long journey.
The taboo of the toliwaga refers to his sexual life. During the last two nights, he has in any case to be up late in connection with his magical performances, and with the visits of his friends and relatives from other villages, who bring provisions for the voyage, presents in trade goods, and who chat about the forthcoming expedition. But he has also to keep vigil far into the night as a customary injunction, and he has to sleep alone, though his wife may sleep in the same house.
The preparations of the canoe are begun by covering it with plaited mats called yawarapu. They are put on the platform, thus making it convenient for walking, sitting and spreading about of small objects. This, the first act of canoe trimming, is associated with a magical rite. The plaited leaves are chanted over by the toliwaga on the shore as they are put on the canoe. Or, in a different system of Kula magic the toliwaga medicates some ginger root and spits it on the mats in his hut. This is a specimen of the magical formula which would be used in such a rite:
Yawarapu spell„Betel-nut, betel-nut, female betel-nut; betel-nut, betel-nut, male betel-nut; betel-nut of the ceremonial spitting !”
„The chiefs’ comrades; the chiefs and their followers; their sun, the afternoon sun; their pig, a small pig. One only is my day” — here the reciter utters his own name — „their dawn, their morning.”
This is the exordium of the spell. Then follows the main body. The two words boraytupa and badederuma, coupled together, are repeated with a string of other words. The first word of the couple means, freely translated, „quick sailing”, and the second one, „abundant haul”. The string of words which are in succession tacked on to this couple describe various forms of Kula necklaces. The necklaces of different length and of different finish have each their own class names, of which there are about a dozen. After that, a list of words, referring to the human head, are recited:
„My head, my nose, my occiput, my tongue, my throat, my larynx, etc., etc.” Finally, the various objects carried on a Kula expedition are mentioned. The goods to be given (pari); a ritually wrapped up bundle (lilava); the personal basket; the sleeping mat; big baskets; the lime stick; the lime pot and comb are uttered one after the other.
Finally the magician recites the end part of the spell; „I shall kick the mountain, the mountain moves, the mountain tumbles down, the mountain starts on its ceremonial activities, the mountain acclaims, the mountain falls down, the mountain lies prostrate ! My spell shall go to the top of Dobu Mountain, my spell will penetrate the inside of my canoe. The body of my canoe will sink; the float of my canoe will get under water. My fame is like thunder, my treading is like the roar of the flying witches”.
The first part of this spell contains a reference to the betel-nut, this being one of the things which the natives expect to receive in the Kula. On the other hand, it is one of the substances which the natives charm over and give to the partner to induce him to kula with them. To which of these two acts the spell refers, it is impossible to decide, nor can the natives tell it. The part in which he extols his speed and success are typical of the magic formulae, and can be found in many others.
The main part of the spell is as usual much easier to interpret. It implies, broadly speaking, the declaration: „I shall speed and be successful with regard to the various forms of vaygu’a; I shall speed and be successful with my head, with my speech, with my appearance; in all my trade goods and personal belongings”. The final part of the spell describes the impression which is to be made by the man’s magic upon „the mountain”, which stands here for the district of Dobu and its inhabitants. In fact, the districts in the d’Entrecasteaux to which they are sailing are always called koya (mountain). The exaggerations, the metaphors, and the implicit insistence on the power of the spell are very characteristic of all magical spells.
The next day, or the day after, as there is often a delay in starting, a pig or two are given by the master of the expedition to all the participants. In the evening of that day, the owner of each canoe goes into the garden, and finds an aromatic mint plant (sulumwoya). Taking a sprig of it into his hand, he moves it to and fro, uttering a spell, and then he plucks it. This is the spell:
Sulumwoya spell70„Who cuts the sulumwoya of Laba’i? I, Kwoyregu, with my father, we cut the sulumwoya of Laba’i ! The roaring sulumwoya, it roars; the quaking sulumwoya, it quakes; the soughing sulumwoya, it soughs; the boiling sulumwoya, it boils”.
„My sulumwoya, it boils, my lime spoon, it boils, my lime pot, it boils, my comb ... my basket ... my small basket ... my mat ... my lilava bundle ... my presentation goods (pari)...” And with each of these terms, the word „boils” or „foams up” is repeated often several times. After that, the same verb „it boils” is repeated with all parts of the head, as in the previously quoted formula.
The last part runs thus: „Recently deceased spirit of my maternal uncle Mwoyalova, breathe thy spell over the head of Monikiniki. Breathe the spell upon the head of my light canoe. I shall kick the mountain; the mountain tilts over; the mountain subsides; the mountain opens up; the mountain jubilates; it topples over. I shall kula so as to make my canoe sink. I shall kula so as to make my outrigger go under. My fame is like thunder, my treading is like the roar of the flying witches”.
The exordium of this spell contains some mythical references, of which, however, my informants could give me only confused explanations. But it is clear in so far as it refers directly to the magical mint, and describes its magical efficiency. In the second part, there is again a list of words referring to objects used in the Kula, and to the personal appearance and persuasiveness of the magician. The verb with which they are repeated refers to the boiling of the mint and coco-nut oil which I shall presently have to mention, and it indicates that the magical properties of the mint are imparted to the toliwaga and his goods. In the last part, the magician invokes the spirit of his real maternal kinsman, from
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