Argonauts of the Western Pacific - Bronisław Malinowski (darmowa biblioteka online .TXT) 📖
Argonauts of the Western Pacific to rozprawa naukowa autorstwa Bronisława Malinowskiego. Jest ona efektem wyprawy badacza na wyspy Toulon i wyspy Trobriandzkie.
Malinowski opisuje w niej przede wszystkim rytuał Kula, ukazujący zdolności handlowe ludów tam żyjących. Rytuał polega na wymianie biżuterii, opierającej się na pewnych szytwno ustalonych regułach związanych m.in. z równą wartością wymienianych przedmiotów. Malinowski upatruje w przedstawicielach społeczeństw pierwotnych wcielenia Argonautów z mitologii greckiej, którzy udali się po Złote Runo. Rozprawa Malinowskiego została oparta na wynikach jego metody badań antropologicznych — metody uczestniczącej, a nie wyłącznie obserwacyjnej. Jego działalność była przełomowa dla antropologii, która do tej pory bazowała na prowadzeniu obserwacji, a także rozszerzaniu założeń na kolejne wyniki badań.
Bronisław Malinowski był polskim antropologiem i socjologiem publikującym w pierwszej połowie XIX wieku. Prowadził badania społeczeństw pierwotnych w różnych zakątkach świata.
- Autor: Bronisław Malinowski
- Epoka: Współczesność
- Rodzaj: Epika
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We see that the two sources of the mwali and soulava are at the Northern and Southern ends of the ring; the armshells being manufactured in the extreme North, the necklaces entering at the Southern end. It is noteworthy that on the Eastern portion of the ring, on the section Woodlark-Boyowa-Dobu-Tubetube, the two articles travel in the natural direction, that is, each is exported from the districts of its origin towards one, where it is not made or procured. On the other branch, Woodlark- Yeguina-Tubetube, the current of the Kula is inverse to a natural, commercial movement of the articles, for here, the Tubetube people import armshells into Murua, thus bringing coals to Newcastle, while the Muruans bring necklaces to Tubetube and Wari, that is, to the points at which the necklaces flow into the ring from the outside. These considerations are important for anyone who would like to reflect on the origins, or history of the Kula, since the natural movement of valuables was no doubt the original one, and the Western half of the Kula from this point of view appears to be the older.
But here we have come to an end of all the descriptive data referring to the Kula, and some general remarks which I have to make upon it, will be reserved for the next and last chapter.
We have been following the various routes and ramifications of the Kula, entering minutely and meticulously into its rules and customs, its beliefs and practices, and the mythological tradition spun round it, till, arriving at the end of our information, we have made its two ends meet. We shall now put aside the magnifying glass of detailed examination and look from a distance at the subject of our inquiry, take in the whole institution with one glance, let it assume a definite shape before us. This shape will perhaps strike us as being something unusual, something not met before in ethnological studies. It will be well to make an attempt at finding its place among the other subjects of systematic ethnology, at gauging its significance, at assessing how much we have learned by becoming acquainted with it.
After all there is no value in isolated facts for science, however striking and novel they might seem in themselves. Genuine scientific research differs from mere curio-hunting in that the latter runs after the quaint, singular and freakish — the craving for the sensational and the mania of collecting providing its twofold stimulus. Science on the other hand has to analyse and classify facts in order to place them in an organic whole, to incorporate them in one of the systems in which it tries to group the various aspects of reality.
I shall not, of course enter upon any speculations or add any hypothetical assumptions to the empirical data contained in the foregoing chapters. I shall confine myself to some reflections on the most general aspect of the institution, and try to express somewhat more clearly what to me appears the mental attitude at the bottom of the various Kula customs. These general points of view ought, I think, to be considered and tested in further field-work done on subjects akin to the Kula as well as in theoretical research, and might thus prove fertile for future scientific work. In this form it may be granted that it is the privilege of the chronicler of a novel phenomenon to pass it over to the consideration of fellow-workers; but it is his duty as well as his privilege. For, apart from his first-hand acquaintance with the facts — and indeed, if his account is good, he ought to have succeeded in transferring the best part of his knowledge to the reader — the fundamental aspects and characteristics of an ethnographic phenomenon for being general are none the less empirical. It is therefore the chronicler’s task to finish his account by a comprehensive, synthetic coup d’oeil upon the institution described.
As said the Kula seems to be, to a certain extent, a novel type of ethnological fact. Its novelty lies partly in the size of its sociological and geographical extent. A big, inter-tribal relationship, uniting with definite social bonds a vast area and great numbers of people, binding them with definite ties of reciprocal obligations, making them follow minute rules and observations in a concerted manner — the Kula is a sociological mechanism of surpassing size and complexity, considering the level of culture on which we find it. Nor can this wide network of social co-relations and cultural influences be considered for a moment as ephemeral, new or precarious. For its highly developed mythology and its magical ritual show how deeply it has taken root in the tradition of these natives and of what ancient growth it must be.
Another unusual feature is the character of the transaction itself, which is the proper substance of the Kula. A half commercial, half ceremonial exchange, it is carried out for its own sake, in fulfilment of a deep desire to possess. But here again, it is not ordinary possession, but a special type, in which a man owns for a short time, and in an alternating manner, individual specimens of two classes of objects. Though the ownership is incomplete in point of permanency, it is in turn enhanced in point of numbers successively possessed, and may be called a cumulative possession.
Another aspect of great, perhaps the greatest, importance and which perhaps reveals best the unusual character of the Kula is the natives’ mental attitude towards the tokens of wealth. These latter are neither used nor regarded as money or currency, and they resemble these economic instruments very little, if indeed there is any resemblance at all, except that both money and vaygu’a represent condensed wealth. Vaygu’a is never used as medium of exchange or as measure of value, which are the two most important functions of currency or money. Each piece of vaygu’a of the Kula type has one main object throughout its existence — to be possessed and exchanged; has one main function and serves one main purpose — to circulate round the Kula ring, to be owned and displayed in a certain manner, of which we shall speak presently. And the exchange which each piece of vaygu’a constantly undergoes is of a very special kind; limited in the geographical direction in which it can take place, narrowly circumscribed in the social circle of men between whom it may be done, it is subject to all sorts of strict rules and regulations; it can neither be described as barter, nor as simply giving and receiving of presents, nor in any sense is it a play at exchange. In fact it is Kula, an exchange of an entirely novel type. And it is just through this exchange, through their being constantly within reach and the object of competitive desire, through being the means of arousing envy and conferring social distinction and renown, that these objects attain their high value. Indeed, they form one of the leading interests in native life, and are one of the main items in the inventory of their culture. Thus, one of the most important and unusual features of the Kula is the existence of the Kula vaygu’a, the incessantly circulating and ever exchangeable valuables, owing their value to this very circulation and its character.
The acts of exchange of the valuables have to conform to a definite code. The main tenet of this declares that the transaction is not a bargain. The equivalence of the values exchanged is essential, but it must be the result of the repayer’s own sense of what is due to custom and to his own dignity. The ceremonial attached to the act of giving, the manner of carrying and handling the vaygu’a shows distinctly that this is regarded as something else than mere merchandise. Indeed it is to the native something that confers dignity, that exalts him, and which he therefore treats with veneration and affection. Their behaviour at the transaction, makes it clear that the vaygu’a is regarded, not only as possessing high value, but that it is treated also in a ritual manner, and arouses emotional reaction. This recognition is confirmed and deepened by the consideration of some other uses of vaygu’a, in which uses other valuables, such as kaloma belts and large stone blades also function, besides the Kula articles.
Thus, when a malignant spirit, tauva’u (see Chapter II , Division VII) is found in or near the village in the shape of a snake or a land crab, some vaygu’a is put before it ceremonially and this is not done so much in order to bribe the spirit sacrrficially by a gift as rather to exercise a direct action on his mind, and to make it benevolent. In the annual festive and dancing period, the milamala, the spirits return to their villages. The Kula valuables at that time in the hands of the community, as well as the permanent vaygu’a, such as stone blades, kaloma belts, and doga pendants, are exhibited sacrificially to the spirits on a platform, an arrangement and custom called yolova (compare Chapter II, Division VII). Thus the vaygu’a represent the most effective offering to be given to the spirits, through which they can be put into a pleasant state of mind; „to make their minds good”, as the stereotyped phrase of the natives runs. In the yolova an offering is made to the spirits of what is most valued by the living. The shadowy visitors are supposed to take the spirit or shadow part of the vaygu’a home, and make a tanarere of it on the beach of Tuma, just as a Kula party make a tanarere of the acquired valuables on their home beach (cf. Chapter XV, Division IV). In all this there is a clear expression of the mental attitude of the natives, who regard the vaygu’a as supremely good in themselves, and not as convertible wealth, or as potential ornaments, or even as instruments of power. To possess vaygu’a is exhilarating, comforting, soothing in itself. They will look at vaygu’a and handle it for hours; even a touch of it imparts under circumstances its virtue.
This is most clearly expressed by a custom observed at death. A dying man is surrounded and overlaid with valuables which all his relatives and relatives-in-law bring in loan for the occasion, to take it back when all is over while the man’s own vaygu’a are left on the corpse for some time after death (see Plate LXV). Various rationalised versions and justifications of this custom are given. Thus it is said to be a gift to Topileta, the keeper of the nether world; or, again, that it has to be taken in its spiritual form to procure a high social standing in Tuma, or simply, that it is laid to adorn and make happier the last moments of the dying. All these beliefs no doubt exist side by side, and they are all compatible with, and indeed express, the underlying emotional attitude; the comforting action of the valuables. It is applied to the dying as something full of good, as something exercising a pleasant action, soothing and fortifying at the same time. They put it on his forehead, they put it on his chest, they rub his belly and his ribs with it, they dangle some of the vaygu’a before his nose. I have often seen them do that, in fact, observed them do it for hours, and I believe there is a complex, emotional and intellectual attitude at the bottom of it; the desire to inspire with life; and at the same time to prepare for death; to hold him
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