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humanity. As usual, the presence of such a powerful, evil personality in the village, gives its stamp to the whole community, and this latter produces sorcerers and witches. All these additions and comments I obtained in cross-questioning my original informant.

The Dobuan informant from Sanaro’a introduced one or two variants into the second part of the narrative. According to him, Kasabwaybwayreta marries while in the sky, and remains there long enough to beget three male and two female children. After he has made up his mind to descend to earth again, he makes a hole in the heavens, looks down and sees a betel-nut tree in his village. Then he speaks to his child, „When I go down, you pull at one end of the necklace”. He climbs down by means of the necklace on to the betel palm and pulls at one end of Gumakarakedakeda. It breaks, a big piece remains in the skies, the small one goes with him below. Arrived in the village, he arranges a feast, and invites all the villagers to it. He speaks some magic over the food and after they have eaten it, the villagers are turned into birds. This last act is quite in harmony with his profession of tauva’u, which he assumed in the previous version of the myth. My Dobuan informant also added, by way of commentary, that the companions of Kasabwaybwayreta were angry with him, because he obtained the necklace in Boyowa, which was not the right direction for a necklace to travel in the Kula. This, however, is obviously a rationalisation of the events of the myth.

Comparing the previously related story of Tokosikuna with this one, we see at once a clear resemblance between them in several features. In both, the heroes start as old, decrepit, and very ugly men. By their magical powers, they rejuvenate in the course of the story, the one permanently, the other just sloughing off his skin for the purpose of a Kula transaction. In both cases, the hero is definitely superior in the Kula, and by this arouses the envy and hatred of his companions. Again, in both stories, the companions decide to punish the hero, and the island or sandbank of Gabuwana is the scene of the punishment. In both, the hero finally settles in the South, only in one case it is his original home, while in the other he has migrated there from one of the Marshall Bennett Islands. An anomaly in the Kasabwaybwayreta myth, namely, that he fetches his necklace from the North, whereas the normal direction for necklaces to travel is from South to North in this region, makes us suspect that perhaps this story is a transformation of a legend about a man who made the Kula from the North. Ill-treated by his companions, he settled in Tewara, and becoming a local Kultur-hero, was afterwards described as belonging to the place. However this might be, and the hypothetical interpretation is mine, and not obtained from the natives, the two stories are so similar that they must be regarded obviously as variants of the same myth, and not as independent traditions.

VI

So much about the ethnographic analysis of these myths. Let us now return to the general, sociological considerations with which we opened this digression into mythology. We are now better able to realise to what extent and in what manner Kula myths influence the native outlook.

The main social force governing all tribal life could be described as the inertia of custom, the love of uniformity of behaviour. The great moral philosopher88 was wrong when he formulated his categorical imperative, which was to serve human beings as a fundamental guiding principle of behaviour. In advising us to act so that our behaviour might be taken as a norm of universal law, he reversed the natural state of things. The real rule guiding human behaviour is this: „what everyone else does, what appears as norm of general conduct, this is right, moral and proper. Let me look over the fence and see what my neighbour does, and take it as a rule for my behaviour”. So acts every „man-in-the-street” in our own society, so has acted the average member of any society through the past ages, and so acts the present-day savage; and the lower his level of cultural development, the greater stickler he will be for good manners, propriety and form, and the more incomprehensive and odious to him will be the non-conforming point of view. Systems of social philosophy have been built to explain and interpret or misinterpret this general principle. Tarde’s „Imitation”, Giddings’ „Consciousness of Kind”, Durkheim’s „Collective Ideas” and many such conceptions as „social consciousness”, „the soul of a nation”, „group mind” or nowadays prevalent and highly fashionable ideas about „suggestibility of the crowd”, „the instinct of herd” etc., etc., try to cover this simple empirical truth. Most of these systems, especially those evoking the Phantom of Collective Soul are futile, to my mind, in so far as they try to explain in the terms of a hypothesis that which is most fundamental in sociology, and can therefore be reduced to nothing else, but must be simply recognised and accepted as the basis of our science. To frame verbal definitions and quibble over terms does not seem to bring us much more forward in a new branch of learning, where a knowledge of facts is above all needed.

Whatever might be the case with any theoretical interpretations of this principle, in this place, we must simply emphasise that a strict adherence to custom, to that which is done by everyone else, is the main rule of conduct among our natives in the Trobriands. An important corollary to this rule declares that the past is more important than the present. What has been done by the father or, as the Trobriander would say, by the maternal uncle, is even more important as norm of behaviour than what is done by the brother. It is to the behaviour of the past generations that the Trobriander instinctively looks for his guidance. Thus the mythical events which relate what has been done, not by the immediate ancestors but by mythical, illustrious forbears, must evidently carry an enormous social weight. The stories of important past events are hallowed because they belong to the great mythical generations and because they are generally accepted as truth, for everybody knows and tells them. They bear the sanction of righteousness and propriety in virtue of these two qualities of preterity and universality.

Thus, through the operation of what might be called the elementary law of sociology, myth possesses the normative power of fixing custom, of sanctioning modes of behaviour, of giving dignity and importance to an institution. The Kula receives from these ancient stories its stamp of extreme importance and value. The rules of commercial honour, of generosity and punctiliousness in all its operations, acquire through this their binding force. This is what we could call the normative influence of myth on custom.

The Kula myth, however, exercises another kind of appeal. In the Kula, we have a type of enterprise where the vast possibilities of success are very much influenced by chance. A man, whether he be rich or poor in partners, may, according to his luck, return with a relatively big or a small haul from an expedition. Thus the imagination of the adventurers, as in all forms of gambling, must be bent towards lucky hits and turns of extraordinarily good chance. The Kula myths feed this imagination on stories of extreme good luck, and at the same time show that it lies in the hands of man to bring this luck on himself, provided he acquires the necessary magical lore.

I have said before that the mythological events are distinct from those happening nowadays, in so far as they are extraordinary and super-normal. This adds both to their authoritative character and to their desirability. It sets them before the native as a specially valuable standard of conduct, and as an ideal towards which their desires must go out.

VII

But I also said before that, distinct as it is, the mythical world is not separated by an unbridgable gulf from the present order of events. Indeed, though an ideal must be always beyond what actually exists, yet it must appear just within reach of realisation if it is to be effective at all. Now, after we have become acquainted with their stories, we can see clearly what was meant when it was said, that magic acts as a link between the mythical and the actual realities. In the canoe myth, for instance, the flying, the super-normal achievement of the Kudayuri canoe, is conceived only as the highest degree of the virtue of speed, which is still being imparted nowadays to canoes by magic. The magical heritage of the Kudayuri clan is still there, making the canoes sail fast. Had it been transmitted in its complete form, any present canoe, like the mythical one, could be seen flying. In the Kula myths also, magic is found to give super-normal powers of beauty, strength and immunity from danger. The mythological events demonstrate the truth of the claims of magic. Their validity is established by a sort of retrospective, mythical empiry. But magic, as it is practised nowadays, accomplishes the same effects, only in a smaller degree. Natives believe deeply that the formulae and rites of mwasila magic make those who carry them out attractive, irresistible and safe from dangers (compare next chapter).

Another feature which brings the mythical events into direct connection with the present state of affairs, is the sociology of mythical personages. They all are associated with certain localities, as are the present local groups. They belong to the same system of totemic division into clans and sub-clans as obtains nowadays. Thus, members of a sub-clan, or a local unit, can claim a mythical hero as their direct ancestor, and members of a clan can boast of him as of a clansman. Indeed, myths, like songs and fairy stories, are „owned” by certain subclans. This does not mean that other people would abstain from telling them, but members of the sub-clan are supposed to possess the most intimate knowledge of the mythical events, and to be an authority in interpreting them. And indeed, it is a rule that a myth will be best known in its own locality, that is, known with all the details and free from any adulterations or not quite genuine additions and fusions.

This better knowledge can be easily understood, if we remember that myth is very often connected with magic in the Trobriands, and that this latter is a possession, kept by some members of the local group. Now, to know the magic, and to understand it properly, it is necessary to be well acquainted with the myth. This is the reason why the myth must be better known in the local group with which it is connected. In some cases, the local group has not only to practise the magic associated with the myth, but it has to look after the observance of certain rites, ceremonies and taboos connected with it. In this case, the sociology of the mythical events is intimately bound up with the social divisions as they exist now. But even in such myths as those of the Kula, which have become the property of all clans and local groups within the district, the explicit statement of the hero’s clan, sub-clan and of his village gives the whole myth a stamp of actuality and reality. Side by side with magic, the sociological continuity bridges over the gap between the mythical and the actual. And indeed the magical and the sociological bridges run side by side.

I spoke above (beginning of Division II) of the enlivening influence of myth upon landscape. Here it must be noted also that the mythically changed features of the landscape bear testimony in the native’s mind to the truth of the myth. The mythical word receives its substance in rock and hill, in the changes in land and sea. The pierced sea-passages, the cleft boulders, the petrified

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