Argonauts of the Western Pacific - Bronisław Malinowski (darmowa biblioteka online .TXT) 📖
Argonauts of the Western Pacific to rozprawa naukowa autorstwa Bronisława Malinowskiego. Jest ona efektem wyprawy badacza na wyspy Toulon i wyspy Trobriandzkie.
Malinowski opisuje w niej przede wszystkim rytuał Kula, ukazujący zdolności handlowe ludów tam żyjących. Rytuał polega na wymianie biżuterii, opierającej się na pewnych szytwno ustalonych regułach związanych m.in. z równą wartością wymienianych przedmiotów. Malinowski upatruje w przedstawicielach społeczeństw pierwotnych wcielenia Argonautów z mitologii greckiej, którzy udali się po Złote Runo. Rozprawa Malinowskiego została oparta na wynikach jego metody badań antropologicznych — metody uczestniczącej, a nie wyłącznie obserwacyjnej. Jego działalność była przełomowa dla antropologii, która do tej pory bazowała na prowadzeniu obserwacji, a także rozszerzaniu założeń na kolejne wyniki badań.
Bronisław Malinowski był polskim antropologiem i socjologiem publikującym w pierwszej połowie XIX wieku. Prowadził badania społeczeństw pierwotnych w różnych zakątkach świata.
- Autor: Bronisław Malinowski
- Epoka: Współczesność
- Rodzaj: Epika
Czytasz książkę online - «Argonauts of the Western Pacific - Bronisław Malinowski (darmowa biblioteka online .TXT) 📖». Wszystkie książki tego autora 👉 Bronisław Malinowski
In Wamwara there lived an individual called Gere’u, who, according to one myth, was the originator of the Kula. In the island of Digumenu, West of Woodlark Island, Tokosikuna, another hero of the Kula, had his early home, though he finished his career in Gumasila, in the Amphletts. Kitava, the westernmost of the Marshall Bennetts, is the centre of canoe magic associated with the Kula. It is also the home of Monikiniki, whose name figures in many formulae of the Kula magic, though there is no explicit myth about him, except that he was the first man to practice an important system of mwasila (Kula magic), probably the most widespread system of the present day. Further West, in Wawela, we are at the other end of the Kasabwaybwayreta myth, which starts in Tewara, and goes over to Wawela in its narrative of events, to return to Tewara again. This mythological narrative touches the island of Boyowa at its southernmost point, the passage Giribwa, which divides it from Vakuta. Almost all myths have one of their incidents laid in a small island between Vakuta and the Amphletts, called Gabuwana. One of the myths leads us to the Amphletts, that of Tokosikuna; another has its beginning and end in Tewara. Such is the geography of the Kula myths on the big sector between Murua and Dobu.
Although I do not know the other half through investigations made on the spot, I have spoken with natives from those districts, and I think that there are no myths localised anywhere on the sector Murua (Woodlark Island), Tubetube, and Dobu. What I am quite certain of, however, is that the whole of the Trobriands, except the two points mentioned before, lie outside the mythological area of the Kula. No Kula stories associated with any village in the Northern half of Boyowa exist, nor does any of the mythical heroes of the other stories ever come to the Northern or Western provinces of the Trobriands. Such extremely important centres as Sinaketa and Oinarakana are never mentioned. This would point, on the surface of it, to the fact that in olden days, the island of Boyowa, except its Southern end and the Eastern settlement of Wawela, either did not enter at all or did not play an important part in the Kula.
I shall give a somewhat abbreviated account of the various stories, and then adduce in extenso the one last mentioned, perhaps the most noteworthy of all the Kula myths, that of Kasabwaybwayreta, as well as the very important canoe myth, that of the flying waga of Kudayuri.
The Muruan myth, which I obtained only in a very bald outline, is localised in the village of Wamwara, at the Eastern end of the island. A man called Gere’u, of the Lukuba clan, knew very well the mwasila magic, and wherever he went, all the valuables were given to him, so that all the others returned empty-handed. He went to Gawa and Iwa, and as soon as he appeared, pu-pu went the conch shells, and everybody gave him the bagi necklaces. He returned to his village, full of glory and of Kula spoils. Then he went to Du’a’u, and obtained again an enormous amount of arm-shells. He settled the direction in which the Kula valuables have to move. Bagi necklaces have „to go” and the am-shells „to come”. As this was spoken on Boyowa, „go” meant to travel from Boyowa to Woodlark, „come” to travel from Gere’u’s village to Sinaketa. The culture hero Gere’u was finally killed, through envy of his success in the Kula.
I obtained two versions about the mythological hero, Tokosikuna of Digumenu. In the first of them, he is represented as a complete cripple, without hands and feet, who has to be carried by his two daughters into the canoe. They sail on a Kula expedition through Iwa, Gawa, through the Straits of Giribwa to Gumasila. Then they put him on a platform, where he takes a meal and goes to sleep. They leave him there and go into a garden which they see on a hill above, in order to gather some food. On coming back, they find him dead. On hearing their wailing, an ogre comes out, marries one of them and adopts the other. As he was very ugly, however, the girls killed him in an obscene manner, and then settled in the island. This obviously mutilated and superficial version does not give us many clues to the native ideas about the Kula.
The other version is much more interesting. Tokosikuna, according to it, is also slightly crippled, lame, very ugly, and with a pitted skin; so ugly indeed that he could not marry. Far North, in the mythical land of Kokopawa, they play a flute so beautifully that the chief of Digumenu, the village of Tokosikuna, hears it. He wishes to obtain the flute. Many men set out, but all fail, and they have to return half way, because it is so far. Tokosikuna goes, and, through a mixture of cunning and daring, he succeeds in getting possession of the flute, and in returning safely to Digumenu. There, through magic which one is led to infer he has acquired on his journey, he changes his appearance, becomes young, smooth-skinned and beautiful. The guya’u (chief) who is away in his garden, hears the flute played in his village, and returning there, he sees Tokosikuna sitting on a high platform, playing the flute and looking beautiful. „Well” he says, „all my daughters, all my granddaughters, my nieces and my sisters, you all marry Tokosikuna! Your husbands, you leave behind! You marry Tokosikuna, for he has brought the flute from the distant land!” So Tokosikuna married all the women.
The other men did not take it very well, of course. They decided to get rid of Tokosikuna by stratagem. They said „The chief would like to eat giant clam-shell, let us go and fish it”. „And how shall I catch it?” asks Tokosikuna. „You put your head, where the clam-shell gapes open”. (This of course would mean death, as the clam-shell would close, and, if a really big one, would easily cut off his head). Tokosikuna, however, dived and with his two hands, broke a clam-shell open, a deed of super-human strength. The others were angry, and planned another form of revenge. They arranged a sharkfishing, advising Tokosikuna to catch the fish with his hands. But he simply strangled the big shark, and put it into the canoe. Then, he tears asunder a boar’s mouth, bringing them thus to despair. Finally they decide to get rid of him at sea. They try to kill him first by letting the heavy tree, felled for the waga, fall on him. But he supports it with his outstretched arms, and does no harm to himself. At the time of lashing, his companions wrap some wayaugo (lashing creeper) into a soft pandanus leaf; then they persuade him to use pandanus only for the lashing of his canoe, which he does indeed, deceived by seeing them use what apparently is the same. Then they sail, the other men in good, sea-worthy canoes, he in an entirely unseaworthy one, lashed only with the soft, brittle pandanus leaf.
And here begins the real Kula part of the myth. The expedition arrives at Gawa, where Tokosikuna remains with his canoe on the beach, while the other men go to the village to kula. They collect all the smaller armshells of the soulava type, but the big ones, the bagi, remain in the village, for the local men are unwilling to give them. Then Tokosikuna starts for the village after all the others have returned. After a short while, he arrives from the village, carrying all the bagido’u, bagidudu, and bagiriku that is, all the most valuable types of spondylus necklaces. The same happens in Iwa and Kitava. His companions from the other canoes go first and succeed only in collecting the inferior kinds of valuables. He afterwards enters the village, and easily obtains the high grades of necklace, which had been refused to the others. These become very angry; in Kitava, they inspect the lashings of his canoe, and see that they are rotten. „Oh well, to-morrow, Vakuta! The day after, Gumasila — he will drown in Pilolu”. In Vakuta the same happens as before, and the wrath of his unsuccessful companions increases.
They sail and passing the sandbank of Gabula (this is the Trobriand name for Gabuwana, as the Amphlettans pronounce it) Tokosikuna eases his helm; then, as he tries to bring the canoe up to the wind again, his lashings snap, and the canoe sinks. He swims in the waves, carrying the basket-full of valuables in one arm. He calls out to the other canoes: „Come and take your bagi! I shall get into your waga!” „You married all our women”, they answer, „now, sharks will eat you! We shall go to make Kula in Dobu!” Tokosikuna, however, swims safely to the point called Kamsareta, in the island of Domdom. From there he beholds the rock of Selawaya standing out of the jungle on the eastern slope of Gumasila. „This is a big rock, I shall go and live there” and turning towards the Digumenu canoes, he utters a curse.
„You will get nothing in Dobu but poor necklaces, soulava of the type of tutumuyuwa and tutuyanabwa. The big bagido’u will stop with me”. He remains in the Amphletts and does not return to Digumenu. And here ends the myth.
I have given an extensive summary of this myth, including its first part, which has nothing to do with the Kula, because it gives a full character sketch of the hero as a daring sailor and adventurer. It shows, how Tokosikuna, after his Northern trip, acquired magic which allowed him to change his ugly and weak frame into a powerful body with a beautiful appearance. The first part also contains the reference to his great success with women, an association between Kula magic and love magic, which, as we shall see, is not without importance. In this first part, that is, up to the moment when they start on the Kula, Tokosikuna appears as a hero, endowed with extraordinary powers, due to his knowledge of magic.
In this myth, as we see, no events are related through which the natural appearance of the landscape is changed. Therefore this myth is typical of what I have called the most recent stratum of mythology. This is further confirmed by the circumstance that no allusion is made in it to any origins, not even to the origins of the mwasila magic. For, as the myth is at present told and commented upon, all the men who go on the Kula expedition with our hero, know a system of Kula magic, the mwasila of Monikiniki. Tokosikuna’s superiority rests with his special beauty magic; with his capacity to display enormous strength, and to face with impunity great dangers; with his ability to escape from drowning, finally, with his knowledge of the evil magic, bulubwalata, with which he prevents his companions from doing successful Kula. This last point was contained in a commentary upon this myth, given to me by the man who narrated it. When I speak about the Kula magic more explicitly further on, the reader will see that the four points of superiority just mentioned correspond to the categories into which we have to group the Kula magic, when it is classified according to its leading ideas, according to the goal towards which it aims.
One magic Tokosikuna does not know. We see from the myth that he is ignorant of the nature of the wayugo, the lashing creeper. He is therefore obviously not a canoe-builder, nor acquainted with canoe-building magic. This is the point on which his companions are able to catch him.
Geographically, this myth links Digumenu with the Amphletts, as also did the previous version of the Tokosikuna story. The
Uwagi (0)